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1 cantilevered pier
- cantilevered pier
- n
Англо-русский строительный словарь. — М.: Русский Язык. С.Н.Корчемкина, С.К.Кашкина, С.В.Курбатова. 1995.
Англо-русский словарь строительных терминов > cantilevered pier
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2 cantilevered pier
Строительство: одностолбчатая опора -
3 cantilevered pier
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4 pier
- pier
- n1. кирпичная колонна или пилястра
2. простенок
3. (промежуточная) опора, бык ( моста)
4. мол; волнолом
5. пирс
6. вертикальная опора, стойка
7. буронабивная свая-столб
8. массивный фундамент (с максимальным соотношением глубины к ширине 4:1)
- anchor pier
- attached pier
- baffle pier
- batter pier
- belled pier
- bored pier
- breakwater pier
- bridge pier
- cantilevered pier
- cantoned pier
- cellular pier
- crib pier
- drilled pier
- dumbbell pier
- fender pier
- floating pier
- framed pier
- gate pier
- guard pier
- hammerhead type pier
- H-shaped pier
- land pier
- L-shaped pier
- open pier
- pedestal pier
- pile pier
- pipe pier
- pivot pier
- plate pier
- quay pier
- rest pier
- rigid frame pier
- rising pier
- solid pier
- standing pier
- trestle pier
- T-shaped bridge pier
- twin cylinder pier
- underpinning pier
Англо-русский строительный словарь. — М.: Русский Язык. С.Н.Корчемкина, С.К.Кашкина, С.В.Курбатова. 1995.
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5 pier
1) бык, промежуточная опора (плотины, моста)2) стойка; столб; пилон4) пилястра ( кирпичной стены)5) опора ( трубопровода)7) пристань8) мол, волнолом, пирс9) буна, полузапруда•- anchor pier - attached pier - baffle pier - bascule pier - batter pier - battered pier - breakwater pier - brick pier - bridge pier - caisson pier - cellular pier - crib pier - double pier - drilled pier - dumbbell pier - engaged pier - fender pier - finger pier - floating pier - gate pier - hinged pier - intermediate pier - land pier - masonry pier - offshore pier - open pier - open piling pier - pile pier - pivot pier - plate pier - pneumatic pier - pontoon pier - rest pier - rigid-frame pier - river pier - rocking pier - sharp-nose pier - shore pier - skeleton pier - solid pier - square pier - submerged pier - tower pier - weir pier* * *1. кирпичная колонна или пилястра2. простенок3. (промежуточная) опора, бык ( моста)4. мол; волнолом5. пирс6. вертикальная опора, стойка7. буронабивная свая-столб8. массивный фундамент (с максимальным соотношением глубины к ширине 4:1)- anchor pier
- attached pier
- baffle pier
- batter pier
- belled pier
- bored pier
- breakwater pier
- bridge pier
- cantilevered pier
- cantoned pier
- cellular pier
- crib pier
- drilled pier
- dumbbell pier
- fender pier
- floating pier
- framed pier
- gate pier
- guard pier
- hammerhead type pier
- H-shaped pier
- land pier
- L-shaped pier
- open pier
- pedestal pier
- pile pier
- pipe pier
- pivot pier
- plate pier
- quay pier
- rest pier
- rigid frame pier
- rising pier
- solid pier
- standing pier
- trestle pier
- T-shaped bridge pier
- twin cylinder pier
- underpinning pier -
6 pier
1. кирпичная колонна или пилястра2. простенок3. опора, бык4. мол; волнолом5. пирс6. вертикальная опора, стойка7. буронабивная свая-столб8. массивный фундаментattached pier — колонна, встроенная в стену; пилястра
bridge pier — бык, промежуточная опора моста
guard pier — опора, защищающая центральную опору разводного поворотного моста
H-shaped pier — Н-образная опора; рамная опора
land pier — береговой устой, береговая опора
9. трубчатая опора10. опора надземного трубопроводаstanding pier — бык, промежуточная опора моста
trestle pier — столбчатая опора с ригелем поверху; опора рамного типа
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7 Breuer, Marcel Lajos
[br]b. 22 May 1902 Pécs, Hungaryd. 1 July 1981 New York (?), USA[br]Hungarian member of the European Bauhaus generation in the 1920s, who went on to become a leader in the modern school of architectural and furniture design in Europe and the United States.[br]Breuer began his student days following an art course in Vienna, but joined the Bauhaus at Weimar, where he later graduated, in 1920. When Gropius re-established the school in purpose-built structures at Dessau, Breuer became a member of the teaching staff in charge of the carpentry and furniture workshops. Much of his time there was spent in design and research into new materials being applied to furniture and interior decoration. The essence of his contribution was to relate the design of furniture to industrial production; in this field he developed the tubular-steel structure, especially in chair design, and experimented with aluminium as a furniture material as well as pieces of furniture made up from modular units. His furniture style was characterized by an elegance of line and a careful avoidance of superfluous detail. By 1926 he had furnished the Bauhaus with such furniture in chromium-plated steel, and two years later had developed a cantilevered chair.Breuer left the Bauhaus in 1928 and set up an architectural practice in Berlin. In the early 1930s he also spent some time in Switzerland. Notable from these years was his Harnischmacher Haus in Wiesbaden and his apartment buildings in the Dolderthal area of Zurich. His architectural work was at first influenced by constructivism, and then by that of Le Corbusier (see Charles-Edouard Jeanneret). In 1935 he moved to England, where in partnership with F.R.S. Yorke he built some houses and continued to practise furniture design. The Isokon Furniture Co. commissioned him to develop ideas that took advantage of the new bending and moulding processes in laminated wood, one result being his much-copied reclining chair.In 1937, like so many of the European architectural refugees from Nazism, he found himself under-occupied due to the reluctance of English clients to embrace the modern architectural movement. He went to the United States at Gropius's invitation to join him as a professor at Harvard. Breuer and Gropius were influential in training a new generation of American architects, and in particular they built a number of houses. This partnership ended in 1941 and Breuer set up practice in New York. His style of work from this time on was still modern, but became more varied. In housing, he adapted his style to American needs and used local materials in a functional manner. In the Whitney Museum (1966) he worked in a sculptural, granite-clad style. Often he utilized a bold reinforced-concrete form, as in his collaboration with Pier Luigi Nervi and Bernard Zehrfuss in the Paris UNESCO Building (1953–8) and the US Embassy in the Hague (1954–8). He displayed his masterly handling of poured concrete used in a strikingly expressionistic, sculptural manner in his St John's Abbey (1953–61) in Collegeville, Minnesota, and in 1973 his Church of St Francis de Sale in Michigan won him the top award of the American Institute of Architects.[br]Principal Honours and DistinctionsAmerican Institute of Architects Medal of Honour 1964, Gold Medal 1968. Jefferson Foundation Medal 1968.Bibliography1955, Sun and Shadow, the Philosophy of an Architect, New York: Dodd Read (autobiography).Further ReadingC.Jones (ed.), 1963, Marcel Breuer: Buildings and Projects 1921–1961, New York: Praeger.T.Papachristou (ed.), 1970, Marcel Breuer: New Buildings and Projects 1960–1970, New York: Praeger.DY
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